If you are anything like me then you were like "fuck Men In Black 3 cause Men In Black 2 SUCKED". You can admit it, you're safe here, we're all friends. Barry Sonnenfeld won't come and slap you to the floor, he thought MIB2 sucked too and HE directed it. I don't know what drew me, compelled me to see MIB3 but there I was, online for tickets, then online for my killer popcorn, then online to get seats. Honestly I thought all that standing in line was going to be a waste of time because I honestly thought MIB3 was going to truly suck but I was wrong (hey I've been wrong before, not often but it has happened once or twice). Most surprisingly, MIB3 was a pretty good movie with a great payoff at the end. It's apparent to me that the people who wrote MIB2 were slain and the producers found new writers to pen MIB3 (and if they didn't, they should have).
The movie opens up with a cake being delivered in jail by a very fetching Nicole Sherzinger to Boris the Animal. Boris is played by the hilarious Jemaine Clement who I will always associate with musical comedy group Flight of the Conchords. If you have no idea who they are then shame on you (Youtube em). Boris breaks out of prison and is hell bent on revenge against Tommy Lee Jones' Agent K for taking off one of his arms. To keep that from ever happening Boris plans to go back in time to kill K and prevent him from setting up the ark net that keeps earth safe from Boris' people who wish to invade our planet. Agent J, that would be Will Smith knows something is up and is all about finding out just what is going on. He finds out that he has to go back in time, to 1969 to be exact to not only save K but to make sure the ark net gets deployed. Let the racist stereotypes and hilarity ensue.
Going back in time, Agent J gets to meet the younger Agent K who is played perfectly by Josh Brolin. He does a great Tommy Lee impersonation. Also in this film is Agent O played by the lovely Emma Thompson who takes the place of Zed. That's pretty much it for the key cast members but don't even notice that because Will carries this movie like Atlas. He's in virtually every shot of Barry's movie and it's a good thing too because without Will and his hijinks, this movie falls completely apart. He's the glue, the heart, and the engine that makes this puppy go. There's way too much CG but then you'd expect that in a film about an organization that polices extra-terrestrials here on earth. Scored yet again by the talentless Danny Elfman, he gives MIB3 the same feel that he gave to the two previous MIB films (and no one wants to be associated with the second one).
All in all MIB3 is a quality film even if Will looks like he wishes he were somewhere else at times. I recommend it because I'm pretty sure you won't be sorry you saw it. Plus the ending of this film will almost help you get over the bad taste that 2 left in your mouth. I swear and I'll see you at the theater.
Wednesday, May 30, 2012
The Intouchables
It's been awhile since I've posted on a film but that doesn't mean I haven't seen all the latest Hollywood offerings. I have, I just wasn't moved or impressed by any of them enough to include them in my blog. Today, I was both moved and impressed by a movie whose trailer literally made me laugh out loud when I saw it. It's an award winning French film that I honestly think may be the feel good movie of the year. The film is The Intouchables and it's based on an amazing true story of a wealthy quadriplegic and a passionate, streetwise aid. Phillipe, played by the charming Francois Cluzet is a complicated man, seemingly seldom understood by friends and at times even himself. The enigmatic Driss is played pitch perfectly by the talented Omar Sy. You get the sensation that Driss could tear the head off of someones shoulders at any moment and yet his innocence keeps a smile on your face and you find yourself rooting for him. Omar's wide smile didn't hurt either.
The story starts out with Driss and Phillipe breaking the law. From there the story is one big flashback of the times these two men spent together, and apart. Driss, just paroled needs to have a work order signed and storms into the interviewing Phillipe and his assistant Magalie played by the lovely Audrey Fluerot. Some of the biggest laughs came from the interviewing montage by the way but the second Driss walks in, taking someone else's turn Phillipe is intrigued. The two argue over the composer Berlioz and hit it off almost right away. Phillipe places a wager with Driss that he won't last two weeks and so the adventure begins. Phillipe's actions are immediately questioned by a family friend once word has spread and he was warned that the street kids can't be trusted, they are ruthless, and show no pity. It's in Phillipe's answer that you finally see why he was so taken by Driss. He tells his friend that this is exactly what he wants, "no pity".
Directed well by Olivier Nakache and Eric Toledano, The Intouchables is a film that never takes itself too seriously, littered with characters you enjoy seeing on screen when they arrive. One of my favorites was the level headed Marcelle played by Clotilde Mollet. Olivier and Eric also spare you the obligatory Paris shots that you get from any movie shot in Paris. Thank goodness there are no Eiffel Tower shots and do we really need to see the arch de triumph yet again? Scored beautifully by Ludovico Einaudi's sparse piano this is a movie I think is really worth the price of admission and I just might have to see it again, yes, it was THAT good. It wouldn't surprise me were it to win the Oscar next year for best foreign film. I'll put my money on it and if you see it, I am certain you will agree. And maybe I'll even see you online, either way I'll see you at the theater.
The story starts out with Driss and Phillipe breaking the law. From there the story is one big flashback of the times these two men spent together, and apart. Driss, just paroled needs to have a work order signed and storms into the interviewing Phillipe and his assistant Magalie played by the lovely Audrey Fluerot. Some of the biggest laughs came from the interviewing montage by the way but the second Driss walks in, taking someone else's turn Phillipe is intrigued. The two argue over the composer Berlioz and hit it off almost right away. Phillipe places a wager with Driss that he won't last two weeks and so the adventure begins. Phillipe's actions are immediately questioned by a family friend once word has spread and he was warned that the street kids can't be trusted, they are ruthless, and show no pity. It's in Phillipe's answer that you finally see why he was so taken by Driss. He tells his friend that this is exactly what he wants, "no pity".
Directed well by Olivier Nakache and Eric Toledano, The Intouchables is a film that never takes itself too seriously, littered with characters you enjoy seeing on screen when they arrive. One of my favorites was the level headed Marcelle played by Clotilde Mollet. Olivier and Eric also spare you the obligatory Paris shots that you get from any movie shot in Paris. Thank goodness there are no Eiffel Tower shots and do we really need to see the arch de triumph yet again? Scored beautifully by Ludovico Einaudi's sparse piano this is a movie I think is really worth the price of admission and I just might have to see it again, yes, it was THAT good. It wouldn't surprise me were it to win the Oscar next year for best foreign film. I'll put my money on it and if you see it, I am certain you will agree. And maybe I'll even see you online, either way I'll see you at the theater.
Saturday, April 14, 2012
Goon

If you want to see a really funny film, love hockey, or love the classic Paul Newman hockey film Slap Shot then you need to go see Goon. Arriving just in time for the hockey playoffs in the theaters or on itunes, Goon is much more than the title suggests. It's a film filled with surprising heart, courage, and loyalty. Make no mistakes though, there is a ton of violence in this movie and it more than lives up to its leading title. Hey, any hockey movie that begins with blood on the ice and ends with blood on the ice is a pretty damn good hockey movie in my opinion.
Now a movie I recently saw made me scratch my head as far as casting was concerned. The issues I had with that previous film I certainly didn't have with this one, casting was PERFECT!. Goon stars Sean William Scott as Doug "The Thug" Glatt, a simpleton with a heart of gold, think Forrest Gump on skates and you know where I'm headed. His best friend is Ryan played hilariously by Jay Baruchel (who is also credited as a co-writer, yes the guy from the insipid She's out of My League and The Sorcerer's Apprentice movies). Playing Doug's disappointed dad is the rejuvenated Eugene Levy, the love interest is the adorable Alison Pill (who was hilarious in Scott Pilgrim Vs. The World), and the main rival of Doug is handled brilliantly by Liev Schreiber. The rest of the cast falls lock step in behind these terrific actors and they too are all very good.
This movie is based on a true story which knowing hockey makes all the sense in the world. Simple minded Doug is a bouncer at a bar and his best friend who runs his own cable access hockey TV show takes Doug to a minor league hockey game. Doug, enjoying his corn dogs suddenly has to come to his friends defense when a hockey player from the visiting team climbs out of the penalty box and marches up the stands looking for Ryan's blood. Doug smashes the player so hard the coach of the home team wants Doug to tryout, after laying waste to many of his own teammates at said tryout he earns a spot on the team. The movie just gets better and better from that point on.
The violence is SO plentiful and shot so well that it becomes almost epic, almost operatic even. Wrapped up in all that violence though is a losing hockey team that-with the help of Doug-rediscovers their passion for the game and that they are a team, not just a collection of some really warped individuals. Doug wins everybody over with his politeness and his extreme dedication and loyalty to his team. Deftly directed by relative newcomer Michael Dowse, Goon will keep you laughing and cringing at the same time but it's official, it's one hell of a ride and I highly recommend it. I'll see you at the theater.
Sunday, April 8, 2012
The Raid: Redemption

There is really not much I can say about this movie so this review will be short. Why is that you ask? Simple, there really isn't much to this movie. It's really a very simple premise. A group of elite cops, some veterans and a few rookies are tasked to raid this drug lords building. They are supposed to root him out, arrest him, and shut down his lab. That of course is NOT how it goes down in The Raid: Redemption at all.
There's not much of plot in The Raid: Redemption, there is a LOT of shooting, yelling, cursing, and fighting. Oh, there's also a lot of reading because it's subtitled. Now if you are a fan of gun battles, yelling, and cursing (in a foreign language) then this movie is for you. If not then I suggest you skip it. Now if you are a fan of those martial arts, kung-fu movies that used to come on all those years ago on Saturday afternoons from 3 to 5pm and then went outside and kicked your neighbors butt then this....THIS is the movie for you.
Written, directed, and edited by Gareth Evans The Raid boasts some of the most inventive martial arts moves I have even seen, this movie will have you yelling out "ohhhh" and "ahhhhh". I speak from first hand experience on that and the climactic fight scene will leave you breathless. With a super tight score put together by Joseph Trapanese and Mike Shinoda from Linkin Park, the music makes the action in this movie look almost ballet like at times.
If you want see a movie that requires absolutely no thinking of your own but entertains and has you walking out of the theater looking for your neighbor so you can kick his/her butt all over again then see The Raid: Redemption. You won't be sorry and I'll see you at the theater.
Saturday, April 7, 2012
Hunger Games

To say that I was slightly disappointed in the visual realization of Suzanne Collins bestselling book Hunger Games isn't fair to director Gary Ross (of who I am a huge fan of) or his movie. While I am no fan of her writing style, Suzanne does bring us a world never before seen with horrors never before thought about. The movie of course couldn't put everything from the book onto the screen or then we would have a four hour movie but I was still somewhat let down. I think much of that let down can be attributed to the cast of the movie.
Anyone who has ever read the trilogy I'm sure had their own idea of what Katniss "Katnip" Everdeen looked like and while Jennifer Lawrence has the eyes of someone from the seam, she doesn't put forth the air of vulnerability. She's one of the tallest people on the screen. She's taller than Peeta Mellark played by Josh Hutcherson and almost eye to eye with Gale Hawthorne played by Liam Hemsworth her hunting companion and potential romantic interest back in District Twelve. They hit a home run on talk show host Caeser Flickerman played by the amazing Stanley Tucci and Elizabeth Banks who stars as the vapid Effie Trinket. They struck out however with a seemingly bored and tired Donald Sutherland who plays the evil President Snow.
Every year, to mark the anniversary of the rebellion one male and one female between the ages of 12 and 18 are chosen from each district to fight to the death in the arena. Katniss doesn't get chosen, instead her younger sister Primrose does. Katniss immediately volunteers to take her sisters place in the arena. Peeta also get chosen to fight and the two kids who never really seen anything grand are whisked off to the Capitol where they are lavished with food and attention the likes they have never seen before. The chosen enter the arena as all of Panem looks on to see the carnage. Alliances are formed and kids are killed in cold blood and usually only one victor is crowned but Peeta tells Caeser Flickerman about this girl he loves and the rules get changed.
It makes for compelling reading and the movie IS pretty entertaining. Of course some things are changed in the movie from the book and there are times the movie feels somewhat hollow but I think that's because I read the books. It may be completely different for those going in blindly. The music, scored by James Newton Howard feels directionless and is sadly forgettable. If he is chosen to score the sequels hopefully he can step his game up. Overall a decent movie if you've read the book and a good movie if you didn't. I'd recommend it more if you haven't read the book and I'll see you at the theater. Oh, and may the odds be ever in your favor.
Salmon Fishing in The Yemen

Salmon Fishing in The Yemen is a really cute film with some hilarious moments and surprisingly a lot more depth than one would think. Based on the novel of the same name by Paul Torday and directed by Lasse Hallstrom of Gilbert Grape fame, Fishing is a charming movie about faith, love, and the human spirit. There's also fishing by the way just in case you thought the title of the movie was like a metaphor or something.
Ewin McGregor as the stuffy Dr Alfred Jones is approached by Harriet Chetwood-Tolbert who is played by the lovely Emily Blunt. She is the legal representative of Sheikh Muhhamed played by the charismatic Amr Waked. The Sheikh needs Dr. Jones' help in making his dream come true of bringing salmon fishing to the Yemen. Of course Dr. Jones sees this as some kind of joke but upon meeting and talking with the Sheikh he buys into Sheikh's perceived madness. That's how the Sheikh's fellow countrymen see it and they do whatever they can to sabotage this introduction of western culture to their land.
There's a complicated love story developing between Dr. Jones and Harriet but you know where that's going and just how it's going to end up. The joy is watching it get there. Scored by the Oscar award winning composer Dario Marinelli this film comes in a complete package of cuteness and light. If you want to see a love story and have a smile put on your face then see Salmon Fishing in The Yemen. I doubt you'll be sorry and I'll see you at the theater.
Wrath of The Titans

When Clash of The Titans subsided from the theaters, many people were still upset. Upset for mainly one thing, they felt the commercials and trailers were misleading. They felt the movie was going to possess far more action than it did. I would then ask those I knew one very simple question, "Did you see the original?". The original Clash was just as boring if not more so, so I never quite understood that complaint as I'm sure the producers of the remake didn't either BUT they took those complaints to heart and went back to the lab. Their concoction this time around? Wrath of The Titans, an action packed, open throttle adrenaline rush in sparkling 3D. Two problems with this movie though...
A- Sam Worthington is back and B- he was in a movie that really lacked any decent story. Zeus, played again by Liam Neeson is losing his power as man is turning away from the Gods and this time Hades, his brother played by again by Ralph Fiennes has a grander scheme than the Kracken. Hades wants to set his and Zeus' father Kronos and the rest of the Titans free. With the help of Zeus other son Ares played by Edgar Ramirez, Hades captures Zeus and feeds his power to Kronos who is imprisoned in Tartarus. Meanwhile back at the ranch, Zeus' other son, the indomitable Perseus sets about trying to get down to the underworld and Tartarus to free his dad and he is not alone.
He travels with Queen Andromeda played by Rosamund Pike, Agenor, the son of Poseidon played by Toby Kebbel, and Hephaestus the architect of the underworld played by Bill Nighy. Together these four, armed with the "God Weapons" make their journey. The movie deals with some serious sibling rivalry issues between Hades and Zeus and Perseus and Ares but it's not enough to drive this movie. Like I said, the 3D is sparkling but after awhile even that can begin to wear thin. Director Johnathan Liebesman does his best though to give you something new to look at every chance he gets. The Cyclops were a nice touch I have to admit.
Visually I'm sure the movie is as stunning in 2D as it is in 3D. When Kronos walks the earth, IMPRESSIVE!!! The whirling dervishes wielding blades and slicing through soldiers like butter was also a nice touch but honestly, I feel Clash was the better movie of the two. It looked better and even though Sam was in it, there was better acting not to mention better music. Clash was scored by Ramin Djawadi who's gone on to score Game of Thrones. Wrath was scored by Javier Navarrete. Where Ramin's score was focused and direct, Javier's is all over the place, much like the movie.
I would skip Wrath (if you already haven't) and spend your money on something far more entertaining like say....salmon fishing?
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